New Canon D60

It's all over the blogosphere...Canon announced the EOS 60D, a sort of “replacement” for the 50D. According to the reviews, the 60D body is plastic, and uses SD cards instead of the CF.

It's certainly built for video. It has a pop-out, tilt-and-swivel rear screen which, even if it's Canon’s first on an SLR, would just drive me insane. Video can be shot at different sizes and speeds. 1080p is available at 24p, 25p or 30p frame rates.

According to WIRED's Gadget Lab, its 18MP sensor (like the LCD panel) is the same as in the 550D or Rebel T2i, its AF system comes from the 50D and the 63-zone exposure meter comes from the 7D. So it's dubbed the "Frankencam".

It will go on sale in September for $1,100 body-only.

Santa, I have no interest.

New Handheld Recorder Zoom H1 In Stores

I've previously posted about the ultra-portable and cheap Zoom H1 from Samson Tech, which is a handy portable stereo recorder at an unheard-of $99 price.

The manufacturer claims that it will give you 10 hours of battery life on a single AA cell, and can accommodate up to 32GB of removable microSDHC storage. Its microphones are configured in an X/Y pattern for optimum stereo imaging.

I predict it'll be a hit for entry-level multimedia photographers, especially that it can be mounted on the camera shoe of a DSLR.

It's currently available at B&H which has also blogged about it. The post also answers the issue as to how to connect it to the camera shoe. The answer? Through a $35 male shoe adapter which is available from a different manufacturer.

I might just be tempted.

Canon G12

According to WIRED's Gadget Lab, CNET Asia leaked the new Canon G12 pro-compact.

It appears that the G12 brings back high-definition video to the table. It will shoot 720p, just like the new Canon S95, which launched yesterday. Some of the specifications are a 10 mp high sensitivity CCD sensor, a 2.8" titlt-swivel LCD and manual exposure function.

The lens is a 28-140mm with ƒ2.8 to ƒ4.5 aperture, and the price is estimated by WIRED's Gadget Lab at around $500.

Via WIRED's Gadget Lab.

Think Tank Multimedia Buyer's Guide

Photo Courtesy Think Tank
I don't have any Think Tank products (except for its see through bag for cables and stuff), but I must say that it's one of the companies that seems to be in lock-step with the industry's evolution with multimedia.

Here is it's latest effort in the multimedia field which is the Multimedia DSLR Buyers Guide. It's essentially a fluff piece about various products that can be used by photographers as additional tools for story-telling purposes. While some of the information is pretty basic, I found it quite useful when I got to the Accessories and Wired It Up sections. Naturally, Think Tank also lists its various bags as "must-haves" in the guide, and deservedly so.

As readers of this blog know, I do not advertise products of any kind, unless I've tried and liked them. I haven't tried Think Tank bags but I like what it's doing with its product line. Otherwise, I have no relationship of any sort with it.

Test Shots: Panasonic GF1 + 20mm f1.7 Lens

Photo © Tewfic El-Sawy-All Rights Reserved
Photo © Tewfic EL-Sawy-All Rights Reserved
Here's a couple of "on-the-go" photographs made with my brand-new Panasonic GF1/20mm 1.7 lens on Bleecker street in NYC's West Village. There was a couple of garbage bags on the sidewalk which I had to frame out of the top photograph by chopping off the woman's shoes. The second is of a woman balancing 4 (actually 5, I think) lemonades and seemingly on collision course with another...it didn't happen.

I shot these with the GF1's Intelligent Auto mode on; essentially the "point & shoot" mode, which I'm using for a couple of days until I get used to its handling. The IA mode allows me to photograph in both RAW and jpeg. The images above are the jpeg versions (out of the camera), and were slightly sharpened with CS. Click on them for a larger size.

In my opinion, the GF1 is a hybrid between a point & shoot and a rangefinder, and is ideal to carry on photo walk-abouts. It's probably a camera that P&S shooters will consider as a step-up, while DSLR users will view it either as a backup or as a carry-around tool. The shutter lag isn't too bad...in fact, I didn't find it to be much of a problem. It's there, but it's not significant.

It still bothers me not having a viewfinder (a Panasonic EVF or Voigtlander OVF may be my next purchase) to look through, but perhaps I'll get used to it. One of the notable advantages of this camera is, when photographed, people don't seem fazed (or threatened) by it as compared to a DSLR.

I carry it on a hand strap, and I find that it doesn't nestle easily in my hand. Maybe I'll get used to it in a few days.

Am I in love with the GF1? Not yet...I like it, and getting used to it...but it's not love (yet).

New Handheld Recorder Zoom H1

Photo Courtesy Samson Audio
Ay...I hate innovation. Well, not really of course, but a new (and occasionally improved) gadget always turns up a few months after a purchase, and this is annoying. Why can't the stuff I buy stay fresh and on the cutting edge of things all the time?

I'm kidding...sort of. But here's the H1, a new handheld audio recorder from Samson Audio, which may not have the top of the range recording schemes, but is a handy portable stereo recorder at an unheard-of $99 price.

It's supposed to give you 10 hours of battery life on a single AA cell, and can accommodate up to 32GB of removable microSDHC storage. Its microphones are configured in an X/Y pattern for optimum stereo imaging.

At this price (and assuming its performance is as good as Samson claims), it'll be a hit for entry-level multimedia photographers, and perhaps many others. It's available on July 30th, so keep your eye on it if you're in the market for a low cost handheld recorder.

I've read Samson's blurb, but didn't find the accessory on the H1's list that allows it to be set on top of a DSLR's hot shoe as shown in the above photograph. The H1 has a tripod mount on its back, so this doodad connects it to the hot shoe.

Got it! Panasonic GF1 + 20mm f1.7 Lens

Having lost patience with Amazon's delivery system, and the fact that its delivery was now estimated to be between June 1 and June 14, I called yesterday and canceled my order. The customer service lady was extremely pleasant and nice, making me feel somewhat guilty for a while.

My guilt didn't last too long after I saw that Adorama had a Panasonic GF1 with a 20mm/F1.7 for $847 excluding NYC tax, but including some stuff like an 8 GB SD Sandisk memory card, a Lowepro carrying case (I much prefer my own pouches), a wonderful USB 2.0 SD card reader (like a memory stick), and a cleaning kit (of dubious use except for a nice lens brush).

I walked over to the store, got served by a lovely young woman (inexplicably wearing a scarf in NYC's heat) and had my new camera and accessories in under 10 minutes.

As with every camera and electronic gadgets I buy, I tried to work through the controls and settings without opening the manual. I got reasonably far, and was stumped a number of times, especially as I am used to a Canon "nomenclature". So I'll have to spend some time studying the manual after all.

I will soon test the GF1 and will post some of the street shots here. However, my first impressions holding it, shooting a few interior shots and so forth, gave me a sense that it's a solidly-built small camera. Not a point & shoot, not a rangefinder...but a hybrid in between the two.

POV: The Guardian Eyewitness iPad App

I saw this posted on various blogs, and thought I'd add my two cents. It's the newly released Guardian Eyewitness app for the Apple iPad, shown off by photographer David Levene. I can't argue with the premise that it's gorgeous...but what does it bring to the table beyond what a laptop and/or netbook already does? The Guardian photographs can be appreciated on a laptop/netbook as well, no?

I have a Mac Book Pro and its display is equally gorgeous. I have a cheap Acer netbook, and its display is certainly not as great, but it's cheaper than the iPad, and it allows me to use all types of software, and fiddle with my photographs using Lightroom...infuriatingly slow perhaps, but it does, and iPad does not.

I frequently visit the Apple store in the Meatpacking district to play with the iPad (by the way, there are fewer tourists on the second floor, where iPads are also available).

As I've said before, I haven't seen anything to convince me that the iPad is a must-have for photographers...so until it does, and despite the Guardian's app and others like it, I'll wait and see what comes with the device's future iterations and new apps.

POV:iPad & Photography Redux

The New York Times reports that Apple announced it had sold one million units of its iPads as of Friday last week, and that demand outstrips supply. Apple also said there were now 5,000 iPad-specific apps available for the device.

Macworld also published a first look review at Apple's $29 iPad Camera Connection Kit, which confirms that the device can upload and store RAW images (nef and cr2) but there isn't a way to edit these images as yet. The iPad generates JPEG versions of these files, and it's these that iPad users can email, create sideshows with, and edit with 3rd party applications.

I am not convinced this device is an accessory can serve photographers in its current iteration. Some photographers (mostly studio) perhaps will use it as a viewer during photo shoots, and wedding photographers are thinking of buying them instead of wedding albums to send to their clients...while others will use it instead of portfolio books to showcase their work to important clients.

Other than that, the bottom line is let's wait and see....there's no just meat on these bones for me.

Canon 7D

I thought I'd post this advert for the National Geographic camera bags because it was entirely shot with a Canon 7D. Johnnie Behiri is the photographer who produced it.

By the way, I just read that the producers of the Dr. House television series have shot a soon to be aired episode with the Canon 5D Mark II. Incredible!

Another gem I found on Gizmodo is a $6 do-it-yourself thingamajig that allows rack focus (aka follow focus). I'll drop by Home Depot and see if I can make one for my 5D Mark II. A video of a similar project is also here.

With a ATR6250 microphone affixed on my camera's hot shoe, and this home-made follow focus ring, I'll be schelpping quite a contraption.

The Canon's EOS 7D can be considered as an entry-level "professional" DSLR, positioned between the EOS 50D and EOS 5D Mark II, and I'm tempted by it because of its many still photography interesting features; one of which is its speed reaching 8 fps (for the first 16 frames) and an average 7.1 fps for 144 frames. This almost compares with the speed of the Canon 1D series dSLRs. More to follow on this topic.

POV: iPad, Toy or Tool?

Okay, I've now seen it, touched it and toyed with it for a while at the Apple store. Yes, it's beautifully designed, sleek and really cool...and I'd love to win it in a free contest (or something like that).

However, I don't see its necessity for photographers as yet. Photoshelter's blog recently posed the question as to whether the Apple iPad will revolutionize the way photos are presented and consumed? Various "pundits" responded, and I tend to agree with the views expounded by Stella Kramer, such as this one:

"From discussions I have had and demos I have seen, there is very little that excites me about translating the telling of stories onto the iPad."

I've seen that the iPad shows off photographs incredibly well, and the scrolling of web pages is intuitive and it's light and well designed, and it's...well, cool.

But being cool doesn't translate into it being a necessity nor a tool. Yes, there are some commercial photographers who will use their iPad instead of high end leather-bound portfolio books to show clients, and wedding photographer will certainly upload their work on iPads to give to their high-end clients (and build its cost in their invoice), but the rest of us into the story-telling business? Not much. Perhaps if we had $500-800 to spare and wanted a sleek platform (although the Mac Book Pro 13" display is phenomenal) to show off our photographs...

Redesigning many photography websites from being both Flash-based and iPad-ready may be a boon to web designers and website providers, but photographers can ill afford this additional expense at this time.

The iPad comes in three "flavors": 16GB, 32GB, or 64GB flash drive, so it may be useful to commercial and wedding photographers to have by their side on photo shoots, but other than that, I'm still scratching my head at its usefulness. Perhaps in the very near future, there will be really "must-have" applications ("apps") that will convert it from being a toy to being a tool, and while I completely agree that it's a harbinger of the future of internet browsing and more, it's not yet on my list.

It's been reported by a think-tank that 50% of all computers sold for children by 2015 will have touchscreens...perhaps touch is indeed the future, but until the iPad grows up from being a toy to a tool for photographers, I'll be happy to drop by the Apple store and just play with it whenever I feel like it.

POV: iPad

Photo Courtesy WIRED-All Rights Reserved
I'm far from being a geek or remotely resembling one, but I still like gadgets provided they're useful and have a purpose...which brings me to the iPad.

Unless you're traveling in North Korea, you must've heard that Apple is launching its iPad in its stores this coming Saturday. I live not too far from its 14th Street store and I intend to walk by just to see the gawking crowds.

The New York Times' David Pogue has an interesting article (and well-balanced) titled Looking At The iPad From Two Angles which I found to be the most intelligent of whatever has been recently written about the device. He concludes the article with this:

"The bottom line is that the iPad has been designed and built by a bunch of perfectionists. If you like the concept, you’ll love the machine. The only question is: Do you like the concept? "

And that's the question. The iPad is really a "looker" not a "doer"...in other words, like its midget cousin the iTouch, it'll be mainly used as a reader, as a viewer of text, of website (minus Flash), of emails, of pictures, and so forth. Its success or failure is also dependent on the available applications, current and future, which I understand are close to 1500 in number already.

So far, I haven't seen any merits for photographers to get one. I read somewhere that an enterprising photographer will buy a few and, when asked for his portfolios, will send them out to his best clients instead of the old-style books. I'm quite certain that the iPad will be great in impressively displaying our images, but that's all.

Will it be fun to have an iPad? Of course, but will it be useful? I don't know. I'll wait and decide in another 6 months. Let others be the testers.

WIRED has a roundup on the first reviews of the iPad.

Canon 5D Mark II: ATR6250 Microphone

Further to my post on microphones for the Canon 5D Mark II, and having decided to add one to my audio equipment, I walked over to B&H (see note below) today and bought the Audio-Technica ATR6250 Stereo Condenser Video/Recording Microphone.

This is an extremely affordable stereo microphone, and I thought it would be ideal for use either on my Canon 5D Mark II or with my Marantz audio recorder. It has a bunch of accessories, most of which I don't think I'll use, except for the hot shoe adapter.

In my earlier post, B&H recommended a couple of microphones such as the Rode VideoMic, Stereo VideoMic, and the Sennheiser MKE 400. The latter in particular seems to be quite popular with photographers, however it costs $200 whereas my new ATR6250 is only $32. I compared the specifications, and what I made of the differences were not enough to warrant the increased cost as far as I am concerned...except for the coiled cord (which the ATR doesn't have).

Naturally, I will continue to record audio with my Marantz PMD620, but use the microphone when I need to shoot video since the Canon 5D Mark II built-in microphone just doesn't cut it. I will post my impressions as soon as I can.

* I'm not affiliated with B&H in any way. The Audio-Technica ATR6250 is also available at many other stores, on-line and otherwise. I only mentioned B&H because that's where I got it.

The Travel Photographer's Pouches

Photo © Some Hot-Shot Photog I Forgot The Name Of
Here's the exclusive opportunity that you've all been waiting for! I announce the "availability" of The Travel Photographer's Pouches which are for sale at the incredible price of only $89.99 a piece...or, if you're inclined to save, only $181.00 for two pouches. Yes, please do the math.

The pouches are (probably) made in China of rugged black canvas, and have two pockets. The Travel Photographer logo is embroidered in the trademark bright teal color, using the Arial font, and with a thread exclusive (possibly) to me. The logo was embroidered using the latest techniques in the lovely town of Oaxaca, using a cranky Japanese machine.

The cost? Well, I bought the pouch for about $5 at a nearby US Army Surplus store, and the embroidery cost under $2...so I figured that a profit of $83.00 a piece seems reasonable. Oh, and shipping is not included in the price.

As to availability; well...here's the thing. I would need to return to Oaxaca to have them embroidered. This may take a year or so.

As I said, these are exclusive and are really really worth waiting for.

Seriously speaking, I found these pouches to be ideal for extra lenses, small notebooks, an audio recorder and other paraphernalia I carry while shooting. And I prefer to use items that carry my brand name instead of products such as ThinkTank, LowePro, etc. If these companies paid me to carry (and advertise) their wares, it'd be different...but they don't.

Canon EOS-1D Mark IV Review

Digital Photography Review is dedicating a massive 33 pages review to the new Canon EOS-1D Mark IV, granting it an overall rating of 89%. It garners the highest marks in build quality, features and performance (speed).

According to DPR, the Canon EOS-1D Mark IV "has the feel of a product that is determined to be as close to perfect as possible", and "From the point-of-view of the tasks it was built to tackle, there is nothing that can touch the detailed, high resolution images that it can deliver ten times a second."

I obviously have to carefully digest these 33 pages before I can make a decision as to whether to buy the Canon EOS-1D Mark IV or not, but I must say that I was pleasantly impressed by the ergonomics of the new Canon 7D. Handling them both today at B&H's Canon counter (I'm still circling around the Panasonic GF1), I felt that the Canon 7D fitted better in my hands. It's also as fast in terms of frames per second as the Mark IV, and is certainly much lighter.

At about $3300 cheaper than the Mark IV, the 7D might make a lot of sense to photographers who accept that its sensor size may not produce the highest of image quality of the Mark IV, nor has its ruggedness. I still use its predecessor, the Mark II, and I consider it a workhorse that never let me down.

Via Engadget

Apple iPad & Photography

Apple announced its newest creation, the iPad, while I was in the Kutch area in Gujarat, and had no reliable internet access so I'm still pretty much out of the loop in as far as its technical specifications are concerned...but that won't stop me from expressing my knee-jerk opinion on it from what I already know.

I gather from a couple of opinions written about the iPad that the jury (from a photography standpoint) is still out. Some say that it will "save" photojournalism and newspapers, while others are more low-key and only say it will provide a new platform to display one's photographs.

I view it as the latter...a magnified iTouch. No more and no less. I initially got very excited, hoping that it could replace netbooks, but it doesn't. From what I seen, it will not enable photographers to use it as a conduit device to download contents of CF/SD cards unto external hard drives. As a portfolio display device, it will do beautifully though. I use the tiny iTouch to do just that, and must say that it's useful in some occasions. The iPad will do the same in large format, and I expect it will be dazzling.

The absence of Flash is disappointing but expected. It's a pity but I imagine that it will not be hard for photographers to convert their Flash-based multimedia photo essays to QuickTime...or some other application...and show them off that way. As for enjoying photo Flash websites, this device will not do it you.

It's been said that Apple has indeed brought us the iPad, but its success or failure will depend on the app developers. Let's wait and see...we'll know soon enough.

The EVIL Cameras

WIRED's Gadget Lab blog has a fresh article titled 5 Reasons To Ditch Your DSLR, which essentially reaffirms my prediction as in my earlier post POV: Travel Photography Adjustment.

To paraphrase the WIRED article, the 5 reasons are smaller size, great quality of images, interchangeable lenses, speed of operation, low-profile, but are expensive.

By the way, EVIL stands for Electronic Viewfinder Interchangeable Lens. It also seems that with an adapter, these cameras can accept many DSLR lenses.

I am extremely interested in these cameras, particularly the Lumix GF1 (above), and will certainly look into on my return from India.

(Via the always informative The Click.)

POV: Travel Photography Adjustment?

As regular readers of this blog know, I'm using the final few days to organize my photo gear before flying to Delhi to lead my Tribes of South Rajasthan & Kutch Photo~Expedition™ which starts January 23.

Since the attempted airline incident on Christmas day, I've been fiddling with various options in order to maximize the amount of indispensable gear I can carry in one small bag on my international flights. Having gone through these hoops a few times already, I am convinced that travel photographers will have to rethink the amount and type of the photo gear they carry on international flights.

Apart from trying to limit the number of hardware we carry on our international flights traveling for assignments, or trying to cram the contents of two or three carry-ons into one, I sense that there's a ready consideration to migrate from our heavyweight DSLRs to smaller digital rangefinders. For instance, searching online for the new Panasonic GF1 at B&H, Adorama and J&R (the largest camera troika in New York City) reveals that the three stores are sold-out of this model; fact that seems to underscore the popularity of this particular model. Of course, there's always Leica, but investing in ten of thousands of dollars in a new system is daunting, even if money were no object.

It may be sooner than we think that these new rangefinders will become the cameras of choice for travel photographers; perhaps not as primary bodies at first but certainly as backup tools. I can see myself in the field using my Canon 5DII with a couple of lenses, and toting the Panasonic GF1, ideally with a 20mm lens...or its 14-45mm zoom.

Here are three examples of new digital rangefinders that may provide viable alternatives to carrying our massive Canons and Nikons and their lenses. None of those are pocket camera per se, unless we're talking about coat pockets, but they're small enough.

1. Panasonic Lumix DMC-GF1 (About $900 in kit form) I handled this rangefinder-like (to be more precise, it's a Compact Micro Four-Thirds Camera System) camera at B&H for about 20 minutes, and found its handling to be quite comfortable. There were many menu quirks that I quickly found irritating or incomprehensible, but there's no doubt that this is one heck of an interesting camera. For a comprehensive review, Thom Hogan has written an exhaustive article about it here. I also liked Craig Mod's field report which reviews the GF1's performance during a 16 days trek in the Himalayas.

2. Olympus E-P1 Pen Digital Camera (About $660 in kit form) This is another Compact Micro FourThirds Camera System. I haven't had the chance to handle this camera yet, but it's only a matter of time when I head back to B&H. Once again, I like Thom Hogan's write-up on it, which can be found here. Another hands-on review is by Ken Tanaka and published on The Online Photographer.

3. Leica X1 (About $2000 with 24mm f2.8 lens) I don't think I've noticed this camera in any of the retail stores I've been to recently, so it's probably not yet available . A hands-on review on the Luminous Landscape is here. The price makes this camera a distant third in my line-up, but it's an option.

There's also the Canon G11 which some people like, but I've owned its predecessor and it was extremely disappointing, so for me at least, it's out of consideration. Sorry, Canon.

New Canon EF 70-200mm f/2.8L IS II

Canon has quietly released the new EF 70-200mm F2.8 L IS II USM. It claims that while its physically similar to it's predecessor, the new lens features a revised optical design, incorporating a fluorite element and no fewer than 5 UD elements for the correction of chromatic aberrations.

According to Canon's press release, photographers can now stand nearly 8 inches closer to their subject and achieve sharp focus and tight crops. The Image Stabilization is enhanced allowing it to compensate for shutter speeds up to four steps slower than 1/focal length, a one step improvement over the previous lens model.

The minimum focus distance has also been reduced to 1.2m, with a corresponding increase in maximum magnification to 0.21x, along with a modification resulting in a wider focusing ring.

There are no price indications yet, and the availability is in April.

The 70-200mm lens is one of my favorite lens, which I use often while photographing festivals and religious rituals. Actually, I have two. An older model (non-IS) which I've had for a decade now, and that has been dropped so many times that it sounds like a baby's rattle. It was the source of much hilarity from the participants in my Bhutan Photo-Expedition. The new one is the predecessor to the just announced model.

There's also a rumor floating around that Canon will soon announce a new version of the 24-70mm f2.8 with Image Stabilization. The IS feature will certainly add a hefty mark-up in its price.

LaCie Rikiki

LaCie just announce the availability of one of the smallest mobile hard drives on the market, which was dubbed by the company as Rikiki. It appears that Rikiki means "tiny" in French. The august L'Académie Française would frown mightily at this claim as it's certainly not in the language of Voltaire, but slang.

Having cleared the linguistic mishap, LaCie Rikiki is available in 250GB, 500GB, and soon in 640GB capacities. The Rikiki is a user-friendly choice, regardless of whether you’re on a Mac or a PC. LaCie Backup Assistant is included to help manage backups. The price is priced between $75 and $150.

Despite the aesthetics of the Rikiki, I prefer the sleekness of the 500GB eGo Helium I bought some weeks ago...and my LaCie Rugged Hard Disk, but that's me.