Julie Jacobson: Afghans' Opium Addiction

Photo © Julie Jacobson/AP-All Rights Reserved

It is estimated that Afghanistan supplies nearly all the world's opium, the raw ingredient used to make heroin, and while most of the deadly crop is exported, enough remains in it to feed a cycle of addiction among its population. It's also estimated there are at least 200,000 opium and heroin addicts in Afghanistan.

It's a fact of life that many rural areas in Afghanistan have no access to basic medicine such as aspirin, so whenever a villager needs a painkiller for a minor ailment, they are given opium instead.

Julie Jacobson is an Associated Press Writer and Photojournalist, who produced a video on opium addiction amongst a family in Afghanistan. In many of Afghanistan's remote mountain villages, opium addiction has infected toddlers to old men.

Julie has also written an interesting article published by Nieman Reports titled Crossing The Line: From Still To Video, which includes these four main guidelines:
"Some moments should be captured in photographs only. With those, be true to your photography and don’t worry about video."

"Remain as true to your photography while capturing video imagery. Make good “pictures” in your video".

"Some moments and events clearly call for video. But it isn’t possible to be everywhere and to get everything, so don’t try".

"When shooting stills and video, anticipate moments carefully. If they’re not there or time doesn’t permit, then make sure to be complete in shooting only one or both will suffer."

A worthwhile read to photographers and photojournalists facing this transition.

Michael Nye: About Hunger

Photo © Michael Nye-All Rights Reserved

I've briefly touched upon the issue of hunger in a POV a few days ago, and coincidentally found Michael Nye's compassionate work at the same time.

Michael Nye’s exhibition About Hunger & Resilience, consists of fifty portraits and accompanying audio stories of individuals who experienced hunger in the United States.

Michael Nye has been listening, photographing and recording hunger for the past 4.5 years. He lives in downtown San Antonio, and practiced law for 10 years before pursuing photography full time. He's the recipient of a Mid-America National Endowment for the Arts grant in photography, and a Kronkosky Foundation grant. He also participated in two Arts America tours in the Middle East and Asia, and has exhibited and lectured widely in museums and universities, including Morocco, India and Mexico.

"About Hunger & Resilience" opened at the Witte Museum,San Antonio, Texas in January of 2010 and is currently traveling around the United States.

Aaron Vincent Elkaim: Jewish Morocco

Photo © Aaron Vincent Elkaim-All Rights Reserved

On the occasion of Passover, I thought of posting an interesting visual-historical-religious photo essay relating to the long Judeo-Muslim history of Morocco by Aaron Vincent Elkaim.

Jewish history in Morocco dates back to over 2000 years, and Jews have lived in the country as a protected minority. Prior to the arrival of the French in 1912, the currency and flag of Morocco carried the star of David, a recognition that it represented a prophet revered by Jew and Muslim (as Dawood) alike. During the Second World War, the king of Morocco famously declared to the Nazis (who wanted a list of Jews) that there were no Jews in Morocco, only Moroccan citizens.

Following the establishment of Israel, most of the Moroccan Jews have left their country of birth for the USA, France, Canada and Israel itself.

Aaron is an emerging documentary photography who initially studied Film and Cultural Anthropology at the University of Manitoba. His work was awarded on numerous occasions and published in newspapers and magazines across Canada.

His photographs in the mellahs of Marrakesh and Essaouira remind me of my own at the synagogues in these two cities last summer, during the Essaouira Gnawa festival.